A theatrical production on the edge of a visual installation, a theatrical mash-up about the brief halt and futility of revolution and change.<\/p>\n
\u201cIt is apolitical, impractical, tame and strongly introverted writing. In 2018, in the Czech Republic and to a lesser extent in Slovakia, we are celebrating the centenary of the founding of the independent Czechoslovak Socialist Republic. I named my text, written to commemorate this anniversary, The Conservative. The main character is a man looking into the passing waves behind the boat. It is a poetic text about the passage of time, a monument to those hundred years and a reflection on their meaning and significance. I am not dwelling on our shared history; the text is a monument without a rider, a monument to honour a hundred years, nothing else. It is a record of an atmosphere of emptiness, an atmosphere of post-celebration. It is the eloquent silence that came after the banquet. At the end of it all, there is – it seems – nothing.\u201d <\/p>\n
Text: David Z\u00e1bransk\u00fd
\nConcept and direction: Kamil Bystrick\u00fd
\nCast: Juraj Bako\u0161, Ivan Kubica
\nDramaturgy: Kamil Bystrick\u00fd, Juraj Benko
\nMovement collaboration: Tom\u00e1\u0161 Pl\u00e1nka
\nVoice: Du\u0161an Jamrich
\nMusic: Richard Lal\u00edk, Martin Fa\u010dkovec
\nLight design: Boris Adam\u010d\u00edk
\nArtwork: Alex Vido, Vlado \u010eurajka
\nSlovak premiere: 22.2. 2019<\/p>\n
Project supported by public funds Fund for Support of Arts<\/a><\/strong> a City of Tren\u010d\u00edn<\/a><\/strong><\/p>\n